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VAMPS aboard the Satellite of Love
In the documentation file for NTV-XFACTOR-4D, Charles Turley wrote:
>SEPTEMBER 17, 1993
<Crow> Not so long ago, on a planet pretty darned close to here...
>NTV-XFACTOR.4D, is a SHAREWARE.
<Tom> Whoa, abrupt intro there.
<Crow> You'd think he'd want a sense of drama or something.
> (IT'S NOT A DEMO OR A FREEWARE) ! THIS DISK
>IS NOT A SPOOF DISK OR A HOAX.
<Mike> Shyeah right, and monkeys might fly outta my butt!
> IT'S FOR REAL, SO READ ON PLEASE !
<Crow> Do we really have a choice?
>WELCOME TO THE WORLD PREMIERE OF THE FIRST REAL-TIME, FAST FOURIER SOUND
>DESIGNED,
<Crow> He can't fool me! Fourier's been dead hundreds of years, he couldn't
possibly have designed this.
> FOURTH DIMENSIONAL MUSIC, EVER PRESENTED ON ANY COMPUTER,
>NTV-XFACTOR.4D !
<Mike> X-Factor? Cool, maybe they'll resolve the 'death of Madrox' plotline.
<Tom> Don't count on it.
>PROCESSED AND PRESENTED IN 100 % DIGITAL SOUND,
<Crow> Sure, but it's converted to analog by the time you hear it.
<Tom> Oh, picky picky.
> THE MUSIC ON THIS DISK HAS
>BEEN PROCESSED, USING AN INOVATIVE NEW 4D ENHANCEMENT MULTI-STAGE TECHNOLOGY,
>ORIGINALLY DEVELOPED BY KLAUS HEIMANN, THE DIRECTOR OF DEUTSCHE GRAMMOPHON, IN
>HANOVER, GERMANY.
<Mike> Oh, Klaus Heimann, didn't he write Dragon Wars GS?
>THIS FALL DEUTSCHE GRAMMOPHON IS RELEASING (ON CD),
<Tom> This is 1994. Are you expecting 8-track? Or maybe 78?
> ITS FIRST RECORDINGS MADE
>IN WHAT THE COMPANY CALLS "4D",
<Tom> But which the rest of us call "crap".
> A NEW METHOD OF DIGITAL RECORDING INTENDED TO
>BRING AN ADDED DIMENSION OF
<Crow> Made-up techno-mumble BS.
> CLARITY
<Mike> Like those annoying herbicide commercials?
> AND REALISM TO MUSIC.
>USING THE SAME BASIC PROCEEDURES, I'VE DECIDED TO PRESENT THIS NEW FORM OF 4D
>MUSIC TO ALL OF YOU THAT CHERISH YOUR IIGS COMPUTER AS
<Crow> A sex partner!
<Mike> Hey now, leave the "GS Lover" out of this.
> AN INOVATIVE DIGITAL
>MUSIC MACHINE.
>USING; A REMOTE-CONTROLLED MICROPHONE
<Tom> Remote-controlled? Don't you usually have to be kinda near the
microphone when you're using it?
<Crow> No, this is special 4D sound. Time and space are relative when put
against such an advanced system.
> PREAMPLIFIER, A HOLOPHONE SIMULATOR,
<Crow> How can you simulate something that doesn't exist?
> A
>21 BIT ANALOG-TO-DIGITAL CONVERTER,
<Crow> Isn't the GS 8-bit audio?
> (THE STAGEBOX PRINCIPLE)
<Tom> Isn't the the use of obfuscation to hide the fact that the wizard is
really the guy behind the curtain?
<Crow> Kinda like this file you mean?
> MAKING THE A/D
>CONVERSION ON THE RECORDING STAGE (THE IIGS COMPUTER), THUS ELIMINATING THE
>LONG ANALOG PATHWAY,
<Tom> *heavy breathing* Oh, baby! I love that long analog pathway!
> (WHICH WAS FORMERLY A MAJOR SOURCE OF NOISE AND
>DISTORTION) AND ALL-DIGITAL MIXING USING THE YAMAHA DMC 1000 MIXING CONSOLE,
>PROCESSED ALL OF THE SAMPLES USING THE DIGITECH PDS2000 -TWO SECOND DIGITAL
>(DOD) SAMPLER, WITH SOME PROPRIETARY (OSRL) SOFTWARE
<Crow> Sector edited copies of AudioZap, DigitalSession, and Sound Shop.
> FOR FINAL MASTERING WITH
>AUTHENTIC SOUND BIT IMAGING, I'VE BEEN ABLE TO GIVE THE LISTENER,
<Tom> Gross misuse of commas.
> ELIMINATION
>OF THE AWARENESS OF THE TECHNICAL MEDIUM, ALLOWING THE ENJOYMENT OF A
>COMPLETELY NATURAL SOUND QUALITY, THAT RIVALS OTHER ADVANCED 16 BIT SOUND
>SYSTEMS WITH OTHER COMPUTERS.
<Crow> The GS is definitely 8-bit. I don't know where he's getting this.
<Tom> Columbia, Bolivia, or Peru perhaps?
<Mike> *surfer dude voice* No way, man. Jamaican weed is the best!
>MOVE OVER MAC AND IBM, WITH YOUR NEW QSOUND EFFECTS. YOU'VE GOT SOME DEFT
>COMPETITION TO DEAL WITH NOW !
<All> *sing the "Chariots of Fire" music*
>THIS WORLD PREMIERE IS PRESENTED TO YOU, TO GIVE YOU THE BEST OPPORTUNITY TO
>JUDGE THE RESULTS OF THESE 4D TECHNOLOGICAL INNOVATIONS FOR YOURSELF.
>(PLEASE COPY/UPLOAD/PASS THIS DISK ON TO EVERYBODY THAT YOU CAN)
<Mike> Pass this disk? Uhh, no thanks. I prefer to eat -food-.
>Documentation; suggestions, special program instructions, credits, special
>thanks and acknowledgements for: NTV-XFACTOR.4D.
>IF YOU DON'T HAVE THE TIME OR ABILITIES TO DOWNLOAD THIS NTV XFACTOR.4D MUSIC
>DISK AND YOU WANT IT, PLEASE SEND ME AN 800K 3.5 DISK, WITH YOUR RETURN NAME
>AND ADDRESS, ALONG WITH THE RETURN POSTAGE ON A SELF-ADDRESSED ENVELOPE OR
>DISK MAILER AND I'LL SEND IT TO YOU PROMPTLY !
<Crow> How the hell are you supposed to be reading this if you can't download
the disk?
>This disk requires; an Apple IIgs (01 or 03 ROM). 1.25Megs of RAM are
>suggested. A stereo card (SOUNDMEISTER for best results) and a good set of
>full-size (High-intensity) headphones are necessary, to allow you to listen to
>the music and experience the full 4D effects, as intented !
<Tom> IntenTed? This guy needs a spell checker.
> NTV stands for
<Crow> Nibbling Tasty Vaginas.
>NoiseTracker VAMPS. VAMPS stands for
<Tom> Very Assanine Music Player System
> Vortex (Virtual)
<Crow> C'mon, which is it?
> Audio Mastered
>Psychoacoustic Sound.
>SPECIAL NOTICE FOR FIRST TIME USERS OF AN NTV DISK: THIS DISK IS DESIGNED AS
>AN 3.5 800K (DISK BASED ONLY) MUSIC JUKEBOX (DMA-AUTOLOAD-AUTOPLAY)
<Mike> Whoa, DMA is when the disk controller hardware directly stores data in
memory with the CPU disabled. This disk does NOT do that.
>SELF-BOOTING DISK. IT'S NOT INTENDED FOR USE ON YOUR HARD DRIVE, WITH PRODOS
>OR FOR USE UNDER ANY VERSION OF THE GS/OS.
<Crow> Yes it is, FREEOS is a sector-edited version of ProDOS 8 which removes
Apple's copyright notice. It's otherwise 100% identical.
>XFACTOR.4D IS A (NO-TOOLS) DISK. IT WILL NOT WORK ON A HARD DRIVE. IT WON'T
>DAMMAGE YOUR HARD DRIVE, ITS CONTENTS OR YOUR COMPUTER. YOU WILL SIMPLY HAVE
>TO TURN YOUR COMPUTER OFF AND REBOOT IT, IF YOU ATTEMPT TO USE THIS DISK
>AND/OR ITS CONTENTS FROM: WITHIN YOUR HARD DRIVE.
<Crow> What the hell is that colon doing there?
<Tom> Maybe we should introduce this guy to Sister Mary George and her 12-inch
wooden paddle.
<Crow> Or at least TimeOut-Grammar.
>IT SHOULD BE USED AS IT IS, ON THIS DISK, FOR THE INTENDED 4D SOUND EFFECTS
>EXPERIENCE. IT HAS INTRO SHR PICTURES CODED INTO THE BOOT PROCESS AND IS
>DESIGNED WITH THE FREEOS SYSTEM AND THE LOADER SYSTEM TO LAUNCH THE JUKEBOX
>PROGRAM AS FAST AS YOUR IIGS CAN LOAD IT INTO ITS MEMORY, (51 SECONDS) TOTAL
>FROM LOAD START TO PLAY.
<Tom> Odd, it takes exactly the same amount of time and sounds just as
terrible when I replaced FREEOS with a legal copy of ProDOS 8, which has a
legal copy of DiversiCache installed.
>MAKE SURE YOU'VE GOT YOUR HEADPHONES ON AND MAKE SURE YOU HAVE A GOOD STEREO
>OUTPUT CARD FOR YOUR IIGS,(SOUNDMEISTER CARD RECOMMENDED) THEN SIT BACK,
>LISTEN AND ENJOY A NEW EXTENDED GLOBAL STEREO 4D DIMENSION, IN 100 % DIGITAL
>VIRTUAL (VERTUAL) VAMPS AUDIO PERCEPTION ON YOUR IIGS.
<Tom> Global stereo?
<Crow> I think China's calling; they can hear your Global stereo and they want
you to stop playing the Dead so loud.
>THIS DISK IS A SHAREWARE AND I URGE YOU TO COPY IT AND CIRCULATE IT AROUND TO
>EVERYBODY YOU THINK WILL ENJOY IT. IF YOU DECIDE TO UPLOAD IT TO ANY BBS,
>PLEASE SHRINK IT WITH THE SHRINKIT COMPRESSION UTILITIES, USING THE SHRINK
>ENTIRE DISK OPTION. USING THIS PROCEEDURE, YOU WILL BE ABLE TO PACK THE
>ENTIRE DISK INTO ONE SINGLE 800K DISK (SHRINKIT) DISK FILE AND RETAIN ALL OF
>THE OPERATING SYSTEM FUNCTIONS, FAST-LOAD, BOOT PICTURES AND KEEP THE DISK THE
>WAY I RELEASED IT ORIGINALLY.
>IF YOU ALTER THIS DISK OR ATTEMPT TO USE IT WITH PRODOS, A DECREASE IN SOUND
>QUALITY AND AN INCREASE IN LOADING TIME WILL RESULT.
<Crow> Bzzt, but you will restore Apple's copyright notice, making it legal to
distribute the disk. Something you can't do with it as-is.
>IF YOU LEAVE IT AS IT IS, PUT IT INTO YOUR DISK DRIVE AND TURN ON YOUR IIGS,
>YOU SHOULD HAVE NO PROBLEMS WITH EXPERIENCING WHAT I HAVE INTENDED FOR YOU TO
>MUSICALLY EXPERIENCE WITH THE SOUND DESIGNS AND MUSIC MODULE PLAY EFFECTS.
<Tom> What if we do? Huh? Huh huh?
<Mike> *thru a bullhorn* Tell me something I don't know! Push the button,
connect the goddamn dots!
<Crow> *Butt-head voice* Huhuhuhuhuh. Hey Beavis, Ministry rules!
>This disk is self-booting from a standard IIgs (01 OR 03 ROM) with an 800k -
>3.5 drive. Total load time for the JUKEBOX and its music is about 51 seconds.
>The JukeBox basic program has been improved and enhanced even more than the
>last release. I've redesigned the sound and cache commands for the Jukebox
>program. It includes an all-new refined sound design with; Virtual 4D Digital
>Audio soundscape expansion, real-time linear loop progression,
<Tom> Linear loop progression? Isn't that an optimization option in C
compilers?
> PHASED-DOOPLER,
<Crow> Channel 13 has 3-D Doppler StormScan, rendered in realtime on a Silicon
Graphics machine. Is he trying to say that has some applicability to audio?
<Tom> Only in making it sound like "an infinite horde of tone-deaf monkeys
smashing music boxes into little tinkling bits" (tm Dave Seah).
>VARIANT WAVEFORM,
<Mike> You'd hope modern music would use more than one waveform sound.
> MULTI-GLOBAL REVERB,
<Tom> I think we've just discovered the source of the LA earthquakes.
> DAT
<Crow> Digital Audio Tape?
<Tom> Derek A Taubert?
<Mike> Guys...
> and CONTRIPETAL CONVOLUTION coding.
<Crow> *consults dictionary* There's no such word as 'contripetal'.
<Tom> Maybe he means 'centripetal', as in swinging these VAMPS disks around on
the end of a string and then letting them smash into pieces.
>The JukeBox program, allow you to press any key to proceed to the next music
>module, the same as all the other versions.
<Mike> Plus ca change...
>(SPECIAL NOTE: It may be neccessary to press a key to proceed to the second 4D
>music selection, when the first music selection has ended. After that, the
>proceeding music, should play automatically, one after the other.)
>Additional 4D sound design and dimensional enhancements have been added to the
>JukeBox program. These enhanced effects aren't found on the versions of any
>past VAMPS or NTV JukeBox basic programs. I still use an ample supply of
>ninth chords,
<Crow> Avoid the shortage, get your ninth chords, only $49.95 on this special
TV offer!
> with cross rhythms
<Tom> Cross Rhythms, clothing without prejudice.
> and deceptive cadence.
<Mike> In my high school band, the snare drums made noises when they lifted the
sticks away from the them. Now *that* was a deceptive cadence.
> These are added sound
>design features, that I plan to include on all future releases to give added
>dimensional effects.
<Crow> *Rod Serling voice* You are entering a dimension of BS and
obfuscation, unlike any which you have ever encountered...
>You are welcome to make whatever modifications you wish to the JukeBox
>program, to suit your own PERSONAL audio needs.
<Crow> Is this gonna turn into a PERSONAL feminine hygiene ad?
<Tom> *falsetto* Dr Tom, do you ever get that not-so-fresh feeling?
> I have many ideas for
>development and improvements with the JukeBox program variations and would be
>glad to discuss them with anybody that cares to call, leave EMAIL or write.
>The (VORTEX) Virtual Audio ' DIGITAL AUDIO TRANSMUTATION & CONTRIPETAL
>CONVOLUTION ' still in the research, development and evaluation stages, is
>included with the 4D process and presented for your listening perceptual
>enjoyment and exploration.
<Crow> Perceptual enjoyment? I think it's just a dodge around the fact that
less than 5% of tone deaf people even think VAMPS disks are music.
>I would appreciate your comments with your impressions of the effects and for
>any suggestions on improvements, modifications or any input you care to send
>me. Critisism and compliments are both welcomed !
>The music modules were digitally remastered and the waveforms were vividly
>enhanced,
<Tom & Crow> Don't just, get 'em clean, get 'em vivid!
> with the new SOUNDMEISTER stereo digitizer card and the
>DigitalSession sound editor software from ECON Technologies. I'd advise
>everybody that likes to use their IIgs for stereo sound, (INPUT AND/OR OUTPUT)
<Crow> I guess CS professors might like input and output.
>to purchase one of these cards.
>The SOUNDMEISTER card is the best stereo digitizer card I've ever used, for
>the IIgs and will give you a fantastic, clear, full range stereo sound
>ability, such as you've never before experienced on your IIgs. The
>DigitalSession sound editor software, that comes with the card is also a
>wonderful STATE-OF-THE-ART
<Tom> Don't you just love totally meaningless terms like that?
> program that has many advanced features, never
>found with any other sound editing software for the IIgs. YOU DON'T NEED THE
>SOUNDMEISTER CARD TO USE THIS SOFTWARE.
<All> AHHHHH! STOP YELLING!
>This disk is a SHAREWARE. If you like this disk the Virtual Reality Stereo
>music and 4D digital sound processing on it, please send your comments and
>your SHAREWARE fee of $5 to:
>Charles T. (Dr. Tom) Turley, Ph.D. OmniSoft Sound Research LAB 115 Santa
>Clara Street. S.F., CA. 94005 USA
<Crow> Please donate, or Dr. Tom may have to switch to lower-grade pot.
>NTV XFACTOR.4D, presents an (all-new) digital enhancement concept and program
>design, in Virtual Reality Audio, 4D sound design, music presentation and
>dimensional listening perception combined with; D.A.T. ( Digital Audio
>Transmutation) with CC
<Crow> It's written in Orca/C now?
> (Contripetal Convolution),
<Tom> We've covered this already. That phrase means exactly nothing.
<Crow> But the word 'torturous' *does* appear in the definition of
"Convolution", and 'torture' is what comes to MY mind when using VAMPS.
> as you've never before
>experienced.
<Tom> And hopefully never will again.
<Crow> A-men.
>Over 2 years of diligent research has gone into this (all-new) combination of
>the music, digital sound designs and the improvement efforts for its
>presentation system. Weeks of labor with countless trials and errors, have
>gone into the redesigned JukeBox basic program, the music, samples and
>digitalsound designs on this disk.
>I'm sure most of you that listen to the music and sound designs on this disk,
>will realize it is certainly more unique and impressive than the last NTV
>release. But, again I'd like to point out that only the esoterically trained
>audiophile, can comprehend the scope of what enhancements are found on this
>NTV XFACTOR.4D disk,
<Tom> Oddly enough, classically trained musicians think it's a horribly out of
key load of BS. Esoterically trained audiophiles may be another matter.
> with regard to the music and Virtual Reality (digital 4D)
>Audio sound design effects. I'm sure you'll notice the pronounced 4D CUPOLA
>and ARCING of the geoacoustic soundscapes, like you've never experienced them
>before.
<Crow> The what what?
<Tom> *Spock voice* Quadro-triticale is a four-lobed hybrid of wheat and rye.
<Crow> *Shatner voice* Spock, I LOVE YOU!
>Those of you versed in the higher levels of sound, its effect on emotions and
>the brain, using binaural beat frequencies, paired hetrodyning and whole brain
>syncronization, combined with the overtures, harmonics and inductive uplifts
<Tom> Hetrodyning? Beat frequencies? Inductive uplifts? I'm no EE, but it
sounds like a radio or radar reciever he's describing there.
>of such universal cosmic sounds as; HU, OM and AVM,
<Crow> Don't I hear those noises coming from the bathroom sometimes, Mike?
<Mike> *somewhat defensively* I got some Ex-Lax and it's all better now.
> will surely find some
>special etherial elements of sound delight and enlightenment in the music on
>this disk also.
<Tom> This guy sounds more and more like a TV preacher.
>I've applied and intergrated every aspect of my accumulated knowledge of sound
>design enlightenment proceedures, along with the new 4D processing, some
>experimental ordinate coding, imbricated into the music modules and the
>program that plays them, on this disk.
<Tom> *flips thru dictionary* Ahh, imbricated. Layed out in a pattern like
roof tiles.
<Crow> For those keeping score at home, that's Dr Tom: 0, The Facts: 999999999
>The combination of the effects you will experience in; Virtual (4D Digital)
>Audio psychoacoustics, physioacoustics and geometricacoustics,
<Crow> Christ, enough of fake words with "acoustics" on the end.
> joined together
>with the new D.A.T., CC coding process,
<Tom> I did a DAT CC coding process the other day.
<Crow> Really?
<Tom> Yeah, I got some C source off my DAT backup and then compiled it.
> special reverb effects and the
>plentiful, prominent and pronounced
<Crow> PPP? Isn't that some kinda TCP connection?
> effects of the sample sounds designed with
>the input of; HU, OM and AVM
<Mike> *annoyed* The Ex-Lax worked fine, get off it with those sounds.
> layered within the samples and governed by the
>new designed JukeBox program,
<Crow> I think I'd prefer anarchy in this case.
> should certainly give the listener a totally
>cosmic, mental sense of well being and emotional uplifted 4D audio joy.
<Tom> *surfer dude voice* Whoa, man, that's like, totally cosmic.
<Crow> *surfer dude voice* And mental and uplifted. Whoaaa. Cool.
>This disk may even give many of you a few vivid goose bumps,
<Tom & Crow> Don't just get 'em clean, get 'em Vivid.
> rushes
<Crow> Rushes? He's trying to associate the real music of Our Boys From
Toronto with *this* pile of shit?
> and audio
>chills and thrills.
<Crow> *Cryptkeeper voice* Faces of VAMPS 4D. You'll get a certificate...of
survival. Hahahahahhahahaa.
> It might even make you thrash your head and sholders
>around a bit and tap your hands and feet,
<Mike> Usually I prefer Metallica for that. I guess I'm just not geeky enough
to slam-dance to a computer.
<Crow> Uhh, Mike, what do you call techno dance music?
> after a few replays of the entire
>JukeBox. I certainly hope it does. Thats what I have intended !
>You may notice within some of the music modules, clicks, pops, hisses and what
>even sound like cheap old records that skip. I assure you they are there for
>a very valid reason and function.
<Tom> The disk was made from cheap old records that skip.
> They were mastered into the final samples,
>to allow the listener to experience depth extension, sound localization point
>enhancements, demensional, seperational and entrainment effects.
<Tom> EnTRAINment? Whoo-whoooo! Chugga-chugga-chugga.
>NTV XFACTOR.4D will push your (DOC) Ensoniq chip to new virtual (4D Digital)
>audio limits of operation and should give you an enhanced stereo listening
>experience like you've never encountered before, on your IIgs ! As I've said
>before and I'll say again, repetition deserves improvement
<Crow> It does? If something's improved, it's not just a repetition.
Therefore, this statement is (with me, guys?)
<All> Total BS.
> and I've done my
>best to add it, with this new enhanced ( WORLD PREMIERE - 4D NTV MUSIC)
>release.
>I really doubt that you'll find any music, any better or more dimensional to
>listen to on your IIgs, than the music presented on this disk.
<Crow> I can find lots of better music. Just find the MODs he massacred to
make this disk and play them in soniqTracker or MODZap for starters.
<Tom> And the 'dimensional' effects are better too.
>The skew for this disk is the standard 2 : 1, so that the information for the
>D.A.T.,CC and PGSD coding in these special designed NTV music modules will
>load from the disk to RAM and play more accurately.
<Crow> That's odd, I tried reformatting the disk with 5 different interleaves
and it still...with me?...
<All> Sounded like shit.
>As always, square waves are used in the sounds, as much as possible.
<Crow> I thought square waves went out for synthesis when the DX-7 was
introduced.
<Tom> Nah, before that, more like the time of the Mini-Moog and Oberheim.
<Mike> Yeah, but ancient analog synthesizers are all the rage these days.
> Because,
>I learned long ago, that a square wave form will carry information to
>biological media more accurately than any other wave form.
<Tom> Hey, Mike, how's it feel to be "biological media"?
<Mike> It makes me want to reformat myself so I can forget all about VAMPS.
> An interrupt pulse
>of 90 per minute is also used in many NTV music modules, to instill an added
>sense of well being for the listener.
<All> Huh?
<Tom> Oddly enough, last time I checked NTGS normally uses interrupts at 50
Hz, which is per *second*.
>If you need any technical information on this disk, its construction, design
>or its contents, please send a self-address envelope with return postage.
>Please be specific on exact information you wish.
<Crow> *Butt-head voice* Uhhh, huhuhuhuh, how come there aren't any like,
naked chicks on this disk?
<Tom> *Beavis voice* Yeah, that'd be cool. And fire too! Fire! Fire! Fire!
>The sounds have an exceptional range and character to them, from ice cold to
>red hot,
<Tom> *Beavis voice* Fire! Fire! Fire!
> with crystal clarity. They're all pure digital with cascade and fast
>fourier real time (CD quality) sampling rates, demonstrating the ultimate
>current state-of-the-art in IIgs computer musical presentation. I know you'll
>be impressed and agree, when you listen to the music on this disk.
<Tom> Real-time fast fourier on a GS? It takes 15 seconds using table-lookup
and floats in Orca/C on a 7 Mhz GS. And that's for 256 bytes of a sample.
<Crow> Maybe Dr. Tom's using a really good secret GS compiler.
<Tom> BScc maybe?
>I've added some special new designed (4D Digital) sound coding waveform
>enhancements, bineural beat frequencies and binaural audio plused signals to
>the music, to facilitate listener relaxation, dimensional perceptions, mood
>enhancements and general audio enjoyment !
<Crow> I use beat frequencies all the time to tune my trumpet.
>Here are four more new and improved (4D 100 % Digital), note bending and
>mind-bending, whole-brain, ethereal music vibrations for your; heart, mind,
>body and soul, from O.S.R.L., 1WSW's and friends with our best regards for
>you.
<Tom> But apparently not much regard for our INTELLIGENCE.
>I hope to hear from all of you that get this disk, concerning what you think
>about the 4D music, the new enhancements to the program and the D.A.T. and
>Contripital Convolution sound designs. If you can't do anything more, drop me
>a postcard, with your comments. Your reply by mail would be appreciated very
>much. I really do want and need your feedback.
<Crow> Gentlemen. Ready, aim, FIRE!
>I've included my phone number at the bottom of this file, if you care to give
>me a call. I'll be glad to talk with you, any time from; 9 AM to 9 PM (PST) -
>Monday thru Friday. Still; no modem, no FAX or answering machines ! I'll
>either answer the phone in person or it will just ring, and ring and ring, if
>I've got my headphones turned up or if I'm not in. Call back and keep trying
>until you get me.
<Tom> *fake French voice* Geeeet heeeem, he eees lame!
>I sincerely hope you enjoy the contents of NTV XFACTOR.4D and I look forward
>to your reply.
<Tom> Thank god, it's over.
---
Auri Rahimzadeh, coordinator, One World Software Wizards.
NOT! This exercise in self-indulgence brought to you by Analog Sam.